Charlotte Angel talks about her young adult novel, 'Shift'.
Comments
By tommy96 @ 09:07 AM - Thursday, July 08, 2010
Upon release, I was embarrassed to admit just how much I liked this band. This is very slick, shiny, professional, pop music; and I was coming out of my hard rock/metal lust and moving towards the indie rock/grunge that was to come. There was nothing "cool" about Roxette, and everybody from 6 year olds to fully grown insurance salespeople found something to enjoy in their music. 1z0-046 I had always gravitated to "image" and Roxette severely challenged me to overlook image and take music for what it was. 1z0-040 To be honest, I doubt I would've liked Roxette so much if I hadn't gone through a phase that expanded my taste to include The Fixx and Wang Chung (finding both bands to be quite enjoyable). By this point, I lost my aversion to keyboards and new wave music. "The Look" had a nice Rickenbacker guitar line, but it had a drum machine, synthesizers, and stacked vocals ("Na Na Na Na Na Na", anyone?). "Dangerous" was a full-fledged kitchen-sink production that was potently catchy, so shiny and perfect that only robots could've executed it. This was far simpler and easier to process than most of what I was listening to at the time. 1Y0-259 I gave a recent spin to much of what I own in the Roxette catalog, after seeking to add a few of their songs to my digital device. In listening, I found that Roxette really are the binary opposite to the Eurythmics. There is so much light and brightness in the music, that even the songs with less-than-happy lyrical concepts like "Cry", "Sleeping Single", and "Listen to Your Heart" feel more like reasons to be resilient rather than resignations to sadness. The album is time-stamped and there is no other time than the mid-80's that would have allowed this kind of a production (even in the current Pro-Tools to infinity setups employed by many modern acts). Not to cop out entirely, but the highlights are the radio hits "The Look", adobe certification dumps "Dangerous", "Dressed for Success" and the album track "Half A Woman, Half A Shadow". If you lived in America anytime between 1988 and 1991 you have heard at least half of the album on the radio and Mtv. These days, the songs still make appearances on modern easy listening/adult contemporary radio, and the original versions also can be found occasionally on the Muzak channels piped into grocery stores and shopping mall food courts. More than a few of their songs have made their way onto hits packages and compilations of the '80's, (not to mention Roxette's own retrospective, DON'T BORE US, GET TO THE CHORUS). If you like any of it, you'll like most of what you'll find here.
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Comments
By tommy96 @ 09:07 AM - Thursday, July 08, 2010
Upon release, I was embarrassed to admit just how much I liked this band. This is very slick, shiny, professional, pop music; and I was coming out of my hard rock/metal lust and moving towards the indie rock/grunge that was to come. There was nothing "cool" about Roxette, and everybody from 6 year olds to fully grown insurance salespeople found something to enjoy in their music. 1z0-046 I had always gravitated to "image" and Roxette severely challenged me to overlook image and take music for what it was. 1z0-040 To be honest, I doubt I would've liked Roxette so much if I hadn't gone through a phase that expanded my taste to include The Fixx and Wang Chung (finding both bands to be quite enjoyable). By this point, I lost my aversion to keyboards and new wave music. "The Look" had a nice Rickenbacker guitar line, but it had a drum machine, synthesizers, and stacked vocals ("Na Na Na Na Na Na", anyone?). "Dangerous" was a full-fledged kitchen-sink production that was potently catchy, so shiny and perfect that only robots could've executed it. This was far simpler and easier to process than most of what I was listening to at the time. 1Y0-259 I gave a recent spin to much of what I own in the Roxette catalog, after seeking to add a few of their songs to my digital device. In listening, I found that Roxette really are the binary opposite to the Eurythmics. There is so much light and brightness in the music, that even the songs with less-than-happy lyrical concepts like "Cry", "Sleeping Single", and "Listen to Your Heart" feel more like reasons to be resilient rather than resignations to sadness. The album is time-stamped and there is no other time than the mid-80's that would have allowed this kind of a production (even in the current Pro-Tools to infinity setups employed by many modern acts). Not to cop out entirely, but the highlights are the radio hits "The Look", adobe certification dumps "Dangerous", "Dressed for Success" and the album track "Half A Woman, Half A Shadow". If you lived in America anytime between 1988 and 1991 you have heard at least half of the album on the radio and Mtv. These days, the songs still make appearances on modern easy listening/adult contemporary radio, and the original versions also can be found occasionally on the Muzak channels piped into grocery stores and shopping mall food courts. More than a few of their songs have made their way onto hits packages and compilations of the '80's, (not to mention Roxette's own retrospective, DON'T BORE US, GET TO THE CHORUS). If you like any of it, you'll like most of what you'll find here.